samcraig
Apr 27, 10:05 AM
No they won't stand out in the data, because each cell tower or Wi-Fi hotspot is only included once in the database. And there is no information regarding how much time you spend in each location.
If locations are recorded AND time/date stamp - then how much time you spend in each location is tracked inherently. If you "log in" at one time here and then another 20 minutes later - there's a history of time spent. Maybe not foolproof... but to say that no information is there isn't accurate.
If locations are recorded AND time/date stamp - then how much time you spend in each location is tracked inherently. If you "log in" at one time here and then another 20 minutes later - there's a history of time spent. Maybe not foolproof... but to say that no information is there isn't accurate.
twoodcc
Aug 18, 08:32 PM
NO WAY!! that would be awesome
yeah...please share a video if you can
yeah...please share a video if you can
Infrared
Apr 11, 07:56 AM
LOL, if you think final cut is from the 90's then Avid Media Composer is from the 50's. It's horrible GUI. I wouldn't learn it, if they paid me big bucks. Well I take that back, I would, but I would hate it. Avid Looks like a POS, the graphics designers at Avid have always been behind though. Look at Protools.
No kidding!
280734
Where's Picasso when you need him? :-)
Avid image was from here:
http://www.youtube.com/watch?v=tYw4vvr7Aq4
No kidding!
280734
Where's Picasso when you need him? :-)
Avid image was from here:
http://www.youtube.com/watch?v=tYw4vvr7Aq4
sunfast
Aug 17, 09:07 AM
If you buy a Xeon 5160 (3.0GHz) at the moment they are �570. Apple are charging �530 to upgrade from Xeon 5150 (2.66GHz) to the Xeon 5160. Bearing in mind that you can probably sell the original 2.66Gz chip for around �300, it would be cheaper to buy the lower spec Mac Pro and upgrade yourself.
Forgive the � for those that think in $.
Aren't there 2 chips though?
Forgive the � for those that think in $.
Aren't there 2 chips though?
Yamcha
Apr 19, 02:41 PM
The First Commercial GUI
http://img62.imageshack.us/img62/5659/star1vg.gif
Xerox's Star workstation was the first commercial implementation of the graphical user interface. The Star was introduced in 1981 and was the inspiration for the Mac and all the other GUIs that followed.
http://img217.imageshack.us/img217/7892/leopardpreviewdesktop4.jpghttp://img714.imageshack.us/img714/5733/xerox8010star.gif
http://img62.imageshack.us/img62/5659/star1vg.gif
Xerox's Star workstation was the first commercial implementation of the graphical user interface. The Star was introduced in 1981 and was the inspiration for the Mac and all the other GUIs that followed.
http://img217.imageshack.us/img217/7892/leopardpreviewdesktop4.jpghttp://img714.imageshack.us/img714/5733/xerox8010star.gif
Moyank24
Feb 28, 09:22 PM
I copy and pasted from the dictionary application that comes default installed with Macs, thank Apple for the laugh.
You have just introduced this new word "influcenes" which I can't memory match with an word I know. Assuming you mean influences which appears to match contextually, I do not know the answer, scientist do not appear to know either.
I do not know the cause, it appears scientists do not either. Since no one appears to know, what could you possibly have expected from me?
You can blame my work PC for not correcting my awful spelling. :rolleyes:
But, yes, obviously I meant influences.
Also, thank you for admitting what most people on here can see. You have no idea what you are talking about.
You have just introduced this new word "influcenes" which I can't memory match with an word I know. Assuming you mean influences which appears to match contextually, I do not know the answer, scientist do not appear to know either.
I do not know the cause, it appears scientists do not either. Since no one appears to know, what could you possibly have expected from me?
You can blame my work PC for not correcting my awful spelling. :rolleyes:
But, yes, obviously I meant influences.
Also, thank you for admitting what most people on here can see. You have no idea what you are talking about.
gsander
Jun 10, 10:05 AM
You've got questions. We've got transistors.
I don't think any Radio Shack sales people know what a transistor is.
You got questions? We have cell phones.
I don't think any Radio Shack sales people know what a transistor is.
You got questions? We have cell phones.
silentnite
Apr 25, 01:54 PM
I'm sure apple is not the only one doing it besides (Android) once they dig a little deeper will see.
iNotion
Mar 25, 10:49 PM
Why they keep showing Macbook air with OSX Lion?
My money is ready!
My money is ready!
Mattie Num Nums
Mar 31, 02:30 PM
How could you not see this coming. Even the most active anti-apple android fanboy/cheerleader could see that eventually it wouldn't work. Too many cooks in 'teh' kitchen trying to one up the competition whilst ruining the experience for the user.
I think everyone saw it. The question is what will Google do when they do publish the source code? All of these people pointing and laughing didn't read the article.
At least, that's what the Fandroids wanted us to believe when Android fragmentation started being tossed around as a problem. Where are those guys now that Google is actually acknowledging that it's a problem? :eek:
Not a problem for me. HTC does a great job keeping phones updated.
I think everyone saw it. The question is what will Google do when they do publish the source code? All of these people pointing and laughing didn't read the article.
At least, that's what the Fandroids wanted us to believe when Android fragmentation started being tossed around as a problem. Where are those guys now that Google is actually acknowledging that it's a problem? :eek:
Not a problem for me. HTC does a great job keeping phones updated.
littleman23408
Dec 2, 08:43 AM
I hate to link to IGN, but here goes:
GT5 damage explained (http://ps3.ign.com/articles/113/1137446p1.html)
Confusion seems to have stemmed from its differing implementation across the game's extensive garage, a point that Sony further clarified. "Standard models have minor deformation and scratches," said Sony, "Premium cars have greater visible level of damage, and Premium racing models have the highest level of damage."
I can't open the links due to work internet, but they should have done equal damage to all cars. Besides, every real car dents and scratches pretty easily.
GT5 damage explained (http://ps3.ign.com/articles/113/1137446p1.html)
Confusion seems to have stemmed from its differing implementation across the game's extensive garage, a point that Sony further clarified. "Standard models have minor deformation and scratches," said Sony, "Premium cars have greater visible level of damage, and Premium racing models have the highest level of damage."
I can't open the links due to work internet, but they should have done equal damage to all cars. Besides, every real car dents and scratches pretty easily.
hayesk
Nov 29, 10:45 AM
If Universal gets a royalty from every iPod, then I will help myself to Universal's music library. After all, isn't that what the fee is for?
totoum
Apr 12, 12:49 PM
I almost never have to convert. All clients I work with require ProRes deliverables, and any tapeless material I get is ProRes. If I capture I use ProRes.
Good for you ;)
Used to be like that for me but on the projects I work on everybody's gone crazy over DSLRs so I'm stuck with converting.
Good for you ;)
Used to be like that for me but on the projects I work on everybody's gone crazy over DSLRs so I'm stuck with converting.
kretzy
Jul 27, 10:25 AM
Lovely! :)
This time next year I'll be in possession of a flawless Core 2 Duo, Rev C/D MBP, with Leopard. Hopefully
This time next year I'll be in possession of a flawless Core 2 Duo, Rev C/D MBP, with Leopard. Hopefully
yg17
Mar 4, 01:53 PM
Logic is my source. Society needs people, no people means no society. If there were no more babies society would eventually collapse.
The problem with your "logic" is that not everybody is gay. Homosexuality is nothing new, gay people have been around for a long time, and humanity is surviving.
The problem with your "logic" is that not everybody is gay. Homosexuality is nothing new, gay people have been around for a long time, and humanity is surviving.
braddouglass
Apr 6, 12:46 PM
Rev D. has no overheating issues. My CPU doesn't go over 70�C when watching 1080p Flash video in fullscreen. The fan sometimes kicks in but it's still very comfortable to use on your lap, since it's barely even warm. Older MBAs suffered from overheating, that is true.
Shouldn't the flash HD have a significant role in overheating? I would think with the Flash HD with no moving parts it would be hard to over heat unless you sit there blocking the fan the whole time. :confused:
Shouldn't the flash HD have a significant role in overheating? I would think with the Flash HD with no moving parts it would be hard to over heat unless you sit there blocking the fan the whole time. :confused:
NJRonbo
Jun 12, 08:34 AM
Not bad at all.
manu chao
Apr 27, 08:40 AM
Funny comment from Engadget:
Q: Why is my iphone tracking me?
A: It's not. It's tracking networks and cell towers near wherever you go.
Q: What is the difference between tracking me, and tracking the towers wherever I happen to go? Isn't that the same thing?
A: No. Because it's crowd-sourced. Total crowd size = 1.
Q: Umm. Ok? Soo. Why have you been keeping logs for the past year?
A: That was a bug.
Q: Then why was it unencrypted?
A: That was a bug.
Q: Right. Then why when I opted out did it ignore my choice?
A: That was a bug.
I think is quite conceivable that keeping those logs forever, not encrypting them, maintaining them despite an opt out, and not removing the timestamps was done in the spirit of: "Let's keep the data, maybe they will be useful at some point, and why bother do encrypt them, that is just some extra lines of code to write."
And it is this spirit which is somehow worrying.
Q: Why is my iphone tracking me?
A: It's not. It's tracking networks and cell towers near wherever you go.
Q: What is the difference between tracking me, and tracking the towers wherever I happen to go? Isn't that the same thing?
A: No. Because it's crowd-sourced. Total crowd size = 1.
Q: Umm. Ok? Soo. Why have you been keeping logs for the past year?
A: That was a bug.
Q: Then why was it unencrypted?
A: That was a bug.
Q: Right. Then why when I opted out did it ignore my choice?
A: That was a bug.
I think is quite conceivable that keeping those logs forever, not encrypting them, maintaining them despite an opt out, and not removing the timestamps was done in the spirit of: "Let's keep the data, maybe they will be useful at some point, and why bother do encrypt them, that is just some extra lines of code to write."
And it is this spirit which is somehow worrying.
rickvanr
Apr 10, 09:21 PM
Wirelessly posted (Mozilla/5.0 (iPhone; U; CPU iPhone OS 4_3 like Mac OS X; en-us) AppleWebKit/533.17.9 (KHTML, like Gecko) Version/5.0.2 Mobile/8F190 Safari/6533.18.5)
Wayne Gretzky.
Wayne Gretzky.
PeterQVenkman
Apr 6, 09:10 AM
Youre aware the newest mbp (high end) 15, and 17 haveva 1gb graphics memory, right?
CUDA is an nVidia technology. The MBP's and Mac Pro's all have ATI/AMD cards. I don't believe the mercury engine works on anything but nVidia cards
Real-time effects with GPU acceleration
Adobe Premiere Pro CS5 requires a 64-bit operating system and works hand-in-hand with NVIDIA� CUDA� technology. The Mercury Playback Engine uses NVIDIA GPU cards to provide a GPU-accelerated 32-bit color pipeline, and most popular effects have been rewritten to run on it � for example, effects like color correction, the Ultra keyer, and motion control all run in real time..
Of course, Apple could finally implement Open CL. I've seen some great particle fluid demos in Blender that are based off of OpenCL and ran on AMD cards.
CUDA is an nVidia technology. The MBP's and Mac Pro's all have ATI/AMD cards. I don't believe the mercury engine works on anything but nVidia cards
Real-time effects with GPU acceleration
Adobe Premiere Pro CS5 requires a 64-bit operating system and works hand-in-hand with NVIDIA� CUDA� technology. The Mercury Playback Engine uses NVIDIA GPU cards to provide a GPU-accelerated 32-bit color pipeline, and most popular effects have been rewritten to run on it � for example, effects like color correction, the Ultra keyer, and motion control all run in real time..
Of course, Apple could finally implement Open CL. I've seen some great particle fluid demos in Blender that are based off of OpenCL and ran on AMD cards.
mdlooker
Apr 8, 05:56 AM
Well I wonder what lesson will be taught here? I don't think Apple will trust them ever again with blockbuster items. I wonder if companies hold grudges?
dime21
May 3, 09:03 AM
I'll preface this by saying that I'm not a 'birther', I believe O'bama is the rightful president of the US. That said, this video, if it's true (I don't have Adobe Illustrator to verify) is pretty embarassing:
http://www.youtube.com/watch?v=7s9StxsFllY
http://www.youtube.com/watch?v=7s9StxsFllY
bretm
Apr 11, 09:51 AM
Then that just begs the question, "why haven't these people left already?" FCP has been fairly stagnant for years. There are plenty of other alternatives, so doesn't that kinda make them fanboyish too for sticking it out when up to this point Apple has given zero hints about when or how it will take FCP to the next level?
I'm not in the video editing biz, but if the pro s/w I use in my profession hobbled my efficiency and workflow the way you are carping about FCP, and there were viable alternatives, I would abandon it quicker than pigeon can snatch a bread crumb. Just sayin'.
I'm an independent corporate video editor. Work out of the house. I've been doing NLE since 1993. I started with VideoCube, then Media 100, then Avid, and then FCP in 2001. Avid had to get really behind (and threaten to leave the mac platform) before post houses made the switch. They really screwed that up at NAB that year. They had been languishing on the mac apps and releasing certain products- Symphony, DS, etc. on Windows only for a few years and at NAB one sales guy said to someone that they would essentially be phasing out the mac platform. They denied it later, but it was probably their plan. Then FCP came out and for the corporate folks that didn't need to spend 70,000 on an Avid system, it was wonderful. In the years that followed it closed the gap immensely and Avid fought back with cheaper products and options. It became a either or situation, with FCP being the slightly cheaper option. But with the new tech in the last 2 years, Apple has to leap frog again.
But still, it's so much more than just the app. Which is why Adobe (which has all the features everyone wants in FCP) is having such a hard time getting anyone but hacks to use it. There is an installed user base and an entire generation of people trained on FCP & Avid. And it was just the above fluke that gave FCP an in. It's one thing for an individual like me to switch, but for a company that uses contractors and other companies and rely on compatibility and workflows and such, it's a nightmare. I work with independent producers, and their clients are usually large companies. All 3 of us are using FCP. If I switch, I make life hard on the producer who is cutting together rough ideas on her laptop. When we deliver product, we deliver a product and the FCP project and files so that the big company, who has editing facilites of their own, can make changes without our help in an emergency. It's part of why they feel comfortable going out of house.
It's the smaller turnkey shops that do it all in house that can afford to keep totally cutting edge and buy every upgrade. But truth is, most good editing should rely on cuts and dissolves. You need anything fancier audio or graphic wise, you should be hiring an audio professional or a graphics professional.
I have the Adobe Master collection myself because I dabble in AE, PS, Flash and Dreamweaver. But the web authoring has just gone crazy. I can't keep up with all that. And AE is starting to get that way too. For me, I would just like FCP to upgrade and/or reinvent itself so I can integrate new tech simpler. Better authoring for Blu-Ray and DVD. Better web options. Importing file formats without log and transfer BS. And lets tune it up to make it use all the processors and be a ridiculous powerhouse. High end features rivaling Avid, and the touch and elegance of Apple. Plus a few neat tricks like offline editing on iPad or using the iPad as a controller, etc. would be cool and welcome.
I'm not in the video editing biz, but if the pro s/w I use in my profession hobbled my efficiency and workflow the way you are carping about FCP, and there were viable alternatives, I would abandon it quicker than pigeon can snatch a bread crumb. Just sayin'.
I'm an independent corporate video editor. Work out of the house. I've been doing NLE since 1993. I started with VideoCube, then Media 100, then Avid, and then FCP in 2001. Avid had to get really behind (and threaten to leave the mac platform) before post houses made the switch. They really screwed that up at NAB that year. They had been languishing on the mac apps and releasing certain products- Symphony, DS, etc. on Windows only for a few years and at NAB one sales guy said to someone that they would essentially be phasing out the mac platform. They denied it later, but it was probably their plan. Then FCP came out and for the corporate folks that didn't need to spend 70,000 on an Avid system, it was wonderful. In the years that followed it closed the gap immensely and Avid fought back with cheaper products and options. It became a either or situation, with FCP being the slightly cheaper option. But with the new tech in the last 2 years, Apple has to leap frog again.
But still, it's so much more than just the app. Which is why Adobe (which has all the features everyone wants in FCP) is having such a hard time getting anyone but hacks to use it. There is an installed user base and an entire generation of people trained on FCP & Avid. And it was just the above fluke that gave FCP an in. It's one thing for an individual like me to switch, but for a company that uses contractors and other companies and rely on compatibility and workflows and such, it's a nightmare. I work with independent producers, and their clients are usually large companies. All 3 of us are using FCP. If I switch, I make life hard on the producer who is cutting together rough ideas on her laptop. When we deliver product, we deliver a product and the FCP project and files so that the big company, who has editing facilites of their own, can make changes without our help in an emergency. It's part of why they feel comfortable going out of house.
It's the smaller turnkey shops that do it all in house that can afford to keep totally cutting edge and buy every upgrade. But truth is, most good editing should rely on cuts and dissolves. You need anything fancier audio or graphic wise, you should be hiring an audio professional or a graphics professional.
I have the Adobe Master collection myself because I dabble in AE, PS, Flash and Dreamweaver. But the web authoring has just gone crazy. I can't keep up with all that. And AE is starting to get that way too. For me, I would just like FCP to upgrade and/or reinvent itself so I can integrate new tech simpler. Better authoring for Blu-Ray and DVD. Better web options. Importing file formats without log and transfer BS. And lets tune it up to make it use all the processors and be a ridiculous powerhouse. High end features rivaling Avid, and the touch and elegance of Apple. Plus a few neat tricks like offline editing on iPad or using the iPad as a controller, etc. would be cool and welcome.
iJohnHenry
Mar 5, 09:38 AM
Even if every single homosexual on Earth decided not to raise a child (which is far from the truth), we do not all have to make/raise babies to propagate the species.
Quite true about 'continuation', but economic models probably require that we do, in order to keep the pyramid growing at the base.
Quite true about 'continuation', but economic models probably require that we do, in order to keep the pyramid growing at the base.
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